
The stories are much less salacious and about a much smaller "mover/shaker" in the comic book industry than Valerie D'Orazio's DC memoirs, but are so much less veiled as to make up for those shortcomings. It is a riveting and hilarious window into the worst kept secret that a particular studio was terribly mismanaged by its owner, despite having some well-intentioned employees trying to make it a success despite him.
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