Friday, March 09, 2012

Editor Antics

A certain Marvel has been trolling the interwebs of late. If you mention his name (once, not even three times), he seems to appear...and trolls.

I've been trying to wrap my brain around it a bit.

Forgetting the right/wrong of the debate, I'm trying to think about ramifications of it and, indeed, the thought process behind it.

There are few people more critical of that editor's behavior than me. Yet I don't find myself moved to take action on it beyond a few responses on message boards. I couldn't blame someone else for dropping a book he edits as a statement on how they feel about his behavior.

But for as much as his performance is based on the success of the book, his contribution to the actual end-product is minimal when compared to the writer and artists. On this more than other potential boycotts, I'd be ever aware that dropping the book would hurt innocents. I feel like publishers would take a loss of sales on a title as far more reflective of interest in a character or creator than ever pin it on the staff.

But, again, I'm not moved to boycott. Which is odd, because I'm normally one to take a principled stand over things that even friends of mine would call trivial. Quite honestly, if this was the talent on the book, I'd probably be telling my retailer, on every trip to the counter, "I'm not buying _____ because _____ is being a flaming asshole."

The flip side, though, is that I don't see what positive development this behavior brings. It's a shock jock angle, but, with the individual keeping the antics to the free internet and only contributing a tame column to his books, where does it benefit the company or the product? If you've ever watched Howard Stern's biopic, they boil down the commercial viability of the shock jock approach by going over the survey results that show haters tune in even more faithfully than the fans, because they need to hear what outrageous thing is said next. But, again, this absurd behavior isn't happening where he'd be rewarded for bringing the extra attention and it doesn't seem to translate to that much additional attention to the good product his office is generating.

I think the net results of his performance art, if anything, will lead to a slight decline in his readership, but not so much as to be a major concern. But I could be wrong...

Wednesday, March 07, 2012

Not This Time, Tanga!

You already set me up with BATMAN and BATMAN & ROBIN, Tanga. Expecting me to fall for this offer is foolhardy at best, even at $11.99.

Thursday, February 16, 2012

Damn You, Tanga!

I'd quit Aquaman. The same "water/fish/etc" jokes were getting used repeatedly and I felt like it was more to take aim at fans to make fun of them rather than make them laugh. I generally like the character and this is the first time I can recall dropping a Johns book.

But then Tanga went and threw it up as an $11 subscription.

At least I don't have to feel as guilty about this one, as I'd not have been buying it at the LCS currently.

Thursday, February 09, 2012

Kirkman Manifesto: Fuck Over Your Friends?

Wow. Tony Moore is suing Robert Kirkman because, he alleges, his old friend duped him into an agreement that put control of their Walking Dead property in Kirkman's hands, with little of the promised monies making their way to Moore and absolutely no access to the books to insure honest profit-sharing.

Don't write for the corporations, but profit like them by screwing over others.

Thursday, February 02, 2012

Moore Should Have Known Better...Maybe

Each time Rich Johnston trots out talk of the WATCHMEN contract, I get a reader (I know, I was shocked that I still had any, too) pointing out to me that some of his statements about graphic novels in print are false.

To wit:

No one has ever cited that Marvel collected the Dark Phoenix Saga in trade in 1984 (wikipedia is wrong about the first version; the first was in '84 with a Sienkevich cover). And that went into multiple printings. Marvel also released their "graphic novels" (Death of Captain Marvel, etc.) to bookstores, and those had more than one printing. In the '70s and early '80s, Marvel did a number of bookstore books (Origins of Marvel Comics, Son of Origins, Bring on the Bad Guys, etc.).

By the time Watchmen came out in September of 1986, Marvel had done upwards of 22 of the Marvel Graphic Novels. http://en.wikipedia.org/wiki/Marvel_Graphic_Novel
DC put out its first collection of RONIN the same month that Watchmen ended.
So, there were graphic novels in print and previously serialized monthly works that were put into continuously reprinted trade 1-2 years before WATCHMEN saw publication.

I'm not necessarily saying Gibbons and Moore went into this with eyes wide open, but that half the shutting would be due to their own lack of observing the market. I still don't like the deal and think that rights should revert to them, but I no longer have as solid an objective case for it as I once used to.

Wednesday, January 18, 2012

Why Is My Confidence Lacking?

Green Arrow has a pilot in production for The CW, per The Hollywood Reporter:

Arrow, based on DC Comics' long-running Green Arrow, revolves around the hooded super hero, a wealthy playboy by day who secretly saves the city by night using his enhanced arrows.

The hourlong drama is a modern retelling of the legendary comics character and hails from Green Lantern duoGreg Berlanti and Marc Guggenheim, who will executive produce and pen the project alongside Fringe co-EPAndrew Kreisberg, with whom they worked on Eli Stone.

1. I'd probably have preferred that SuperMax movie that was running around the 'net awhile back. This most likely means the chances are even slimmer.
1a. I'd like to remind you that "preferred" is relative. As in I might prefer to be punched in the gut than kicked in the junk...
2. The team that brought you Green Lantern? Obviously, this amazing project can't come soon enough.
3. Kreisberg? Really? And, again, this team all worked together on that bastion of TV success, ELI STONE?

I wish them well, but the track record is distinctly lacking.

Evidence That 2012 Is, Indeed, The End Of Times

Someone is trying to get a HONEY BADGER DON'T GIVE A SHIT TV show on the air.

Just shoot me now.

Monday, January 02, 2012

I'd Buy Any Amanda Conner Project






Yup...any project...

Saturday, December 03, 2011

Worst DC Relaunch Ever


And before I saw the photo-variant cover, I had said, "finally, some New Gods stuff!" ;)
Found here!